Sunday 25 January 2015

Visual Narrative; Self Evalution

1. Which practical skills and methodologies have you developed within this module and how effectively do you think you are employing them within your own practice? 

InDesign was a completely new piece of software for me this project, the inductions and tutorials really helped me to understand the basics of how the program worked, however I found that I remember more through doing it on my own afterwards rather than following the set instructions. The print dungeon induction also opened my eyes to the range of ways my work can be printed; that it’s important to consider scale, format, paper quality ect as all of these things would inevitably inform and shape my final work. I feel as though this project has introduced me to these things on a slightly more than basic level, I feel confident using these techniques to achieve what I want to, but I’m also very keen on exploring these things further, to see what other formats of books, leaflets, print out ect I can transfer my work to, allowing my illustrations to be in formats that they previously haven’t been before.

2. Which approaches to research have you found most valuable during this module. How have you interrogated your research to identify appropriate ideas? 

This entire module has really opened my eyes to the importance of research. I’ve always found that travelling, even just a little to a new location, has always inspired me a bit but I’ve never used experiential research to really inform my illustrations before. I’ve tackled briefs were I’ve done research but only usually in a factual sense, to go out and experience what I’m researching, to see it with my own eyes and notice my own typologies or really listen and observe people, was something completely new to me and something I’ve found to be invaluable to the initial ideas and development of my project. The merging of different sources of research has also been integral to my project. While my own experiential research resonated with me, my factual research helped it to resonate with others too, making for a stronger overall concept. Before this module I didn’t even know reportage illustration really existed, and since experiencing it I’ve found it’s something that I really connect with and thoroughly enjoy.

3. What strengths can you identify within your submission and how have you capitalised on these? 

I think that the main strength I’ve really drawn upon and found most helpful throughout this brief was simply enjoying what I was doing. From the location to research and drawing out scamps and developing things further, I feel because I was really engaging with my research and subject matter, my work ethic and drive to complete the project to the highest level I could came easily to me. I tried to be extensive in all aspects of this brief because it was something I really wanted to do justice. For me, this module has highlighted the importance of really getting involved with your brief, and while I understand not ever brief is going to be as enjoyable, it’s shown me that by digging a little deeper and finding something you enjoy within it, it makes the workload a lot easier to manage.

4. What areas for further development can you identify within your submission and how will you address these in the future? 

To be even more extensive and experimental in my mock-ups and scamps. It would have been nice to have planned even better so that I had more time to play around with the composition through multiple quick scamps for every page so that it was as developed as much as possible. Also to not get too caught up in my sketchbook, whilst I really like a lot of my illustrations within the sketchbook, they took a lot of time to make, and if I’d worked a little more loosely and faster I may have got more variations drawn. Perhaps do separate scamps for composition (quick, sketchy, colourless) then pick the best ones and develop them further with colour and media rather than trying to do both at the same time.

5. How effectively are you making decisions about the development of your work? What informs these decisions? What problems have you identified and how have you solved them? 


I think my decision-making has gotten a lot better in this module. I’ve found that feedback can be very useful whether you’re faced with a problem, or just want to explain your idea to someone new. Having other people comment on your work brings a new perspective and I’ve found has helped me to recognise whether the choices I was making were the right ones. It’s important to remember that your illustrations have to stand alone and make sense to other people without them seeing the vast amounts of research or development that’s gone into them. The choices I’ve made within this project haven’t purely been whatever I want to do, but rather how best the choices I make can impact my project in the best way possible, making it the most accessible and understandable it can be to others while still staying true to my own aims and ambitions for the final book.

6. How effectively have you managed this project and organised yourself during this module? 
My organisation and time management in this module has really improved. During the hand in period of the OUIL403 I found I was rushing to catch up with blog posts and write about things as well as I would have liked to, however this time around I feel much more confident and in control. I’ve split my time between practical and writing up a lot better and as a result I’ve managed to get everything organised and ready for hand in earlier and to a higher standard than I think I did last time. I’ve also had time to go back and add extra comments and notes to previous blog posts and check my work regularly with the learning objectives and grading system. I think a big part of this is purely being more engaged with the module and brief; really getting into it and enjoying it has made a big difference and I feel has boosted up my work ethic!
 


Friday 23 January 2015

Study Task 5 - Where am I now?- A Visual Evaluation

A2 Reflection Poster

THINGS CONSIDERED

Relationship between myself and my practice
Professional practices//practitioners
Illustrators work I find interesting//personally affect me
My priorities
Colour//line//shape//media
Strengths//weaknesses//what to improve on
Loves//hates

OVERALL

I felt a little lost at where to start with this task given it's extremely open nature. I found however that this was more easily overcome once I began tackling the task in compartments, and reflecting on things separately rather than as a whole. It was actually rather enjoyable to construct the poster once I got into it, I found that by thinking about these things I was better understanding all the things I have learnt this year so far and the things I would like to further investigate. 

Sunday 11 January 2015

Study Task 4 - What is Illustration? 'Part 2'



 From the three websites listed I found that I was most interested in and drawn towards 'It's Nice That'. I've visited the website a few times in the past but haven't really browsed it in the way I did for this task. Not only did I find the site really user friendly, but also the range and scope of illustration available to view on the website was extremely useful. Not only were the illustrations aesthetically pleasing, the articles were also interesting and relevant, I feel, towards today's world and how illustration fits into it as a format and art. I've found since looking at this website I visit it quite regularly, as it not only provides a source of illustrators and work to enjoy and analyse, but gives an almost 'newspaper like' up to date running of what's happening in contemporary illustration now.


Product, Publication, Place and Online

PRODUCT
Labels on bottled drinks
Backgrounds//characters ect for apps
Wrapping paper
Textiles (curtains, pillows, bedding ect)
Clothing (tshirts//shoes ect)
DVD covers
Album covers//artwork
Jigsaw puzzles
Posters
Packaging for toys 

PUBLICATION
Childrens book
Newspaper
Scientific textbooks
Fashion Magazines
Zines
Comic books
Illustration magazines
Concept art books ('Art of' .... books) 
Leaflets//fliers for clubs//bars
Instructions 

PLACE
Illustration galleries//exhibitions
Hung up in peoples houses
Billboards
Posters in public
Illustration studios
Illustrators' personal studio
University end of year exhibitions//shows
Graffiti 
Illustration agencies 
Shop windows (drawn onto the window)

ONLINE
Illustrators personal blogs//websites
Illustration agency websites
Online games
Social media sites (tumblr//facebook//instagram)
Illustraion//art themed websites//blogs
Adverts on webpages
YouTube
Banners//icons//branding for websites
Search engines (Googling 'illustration' and clicking 'images' for example)
Film websites (advertising//concept art ect)

Examples of illustrations

PRODUCT

Wrapping paper - Wrap Ski; Charlotte Trounce 

Clothing - White Bison Sand Man's T-shirt; Sandra Dieckmann

Textiles - Sleeping Fawn; Ben Sigas

Labels on bottled drinks - Merrydown Cider

Ablum cover - The Shins (Port of Morrow); Jacob Escobedo


PUBLICATION

Children's book - This Moose Belongs To Me; Oliver Jeffers 

Zine - Comics Class; Matt Forsythe 

 
Newspaper - The Republican Party Isn't Dead Illustration for The Boston Globe; Benjamin Mills


Comic Strip - Moomins; Trove Johnson 


Illustration magazine - Double page spread from 3x3

PLACE

Illustration gallery/exhibit - House of Illustration

University end of year exhibitions - LCA End of year show

Illustrators' own studio - Eric Carle

Graffiti - Saint-Petersburg / 2014 (source)

Shop Windows - The Drift Record Shop (Devon); Lee O'Connor

ONLINE

Illustrators person blog//website

Illustration agency website

Social media sites

Banners//icons//branding for websties

Illustration//art themed website//blog


Personal Reflections 

PRODUCT: I find illustrated album covers really draw me in. The idea of visually representing a sound, another artform entirely, on a set format is difficult however a lot of illustrators can pull it off. I think they summarise what illustration is about, they have narrative and tell a story, they sum up all the information you need to know so they also have a function and purpose. I think people are more drawn towards something visually exciting and well crafted which makes illustrated album covers stand out.

 
Album covers illustrated by Keaton Henson for his own music

PUBLICATION: Zines are something fairly new to be. Prior to this course I hadn't even heard of them, and now I don't understand why! What I love about this form of illustration is it's potential for variation. Zines can be simple, complex, made quickly with a photocopier or laboured over and crafted by hand. They're also a fantastic way of getting your work out into the world in a fairly cost effective and cheap way!

We're Never Coming Home; Andy Wyeth

PLACE: Galleries have always been places that I've loved to visit. There is something very different in seeing an illustration online and seeing it 'in the flesh'. I love that most galleries have a scope of artwork within them, often art is not categorized as 'illustration' 'graphic design' 'fine art' ect, it just exists within the space and looks beautiful. 

Ferens Art Gallery; Hull

ONLINE: Social media is something that I think works two ways when it comes to posting your work on them. Whilst they provide a means to show your work for free, get noticed, find other illustrators have other illustrators find you ect, they can also be places where sources are removed and reposted. On websites such as tumblr or even pinterest I've seen work uploaded without source or mention of the artist responsible, this happens a lot less I feel on sites such as instagram. However that's the danger of posting any of your work online, whether it's on social media or not.

My Instagram